We met at the early music festival in Utrecht with musicologist Patrik Sabo, where I briefly described my work on the transformation of musical text into visual data and porcelain pieces. Later, he contacted me to inquire about my connection with early music and why I chose La Folia.
My R&D project was featured on the front page Hudobný život music magazine.
As artists, we find value in simple, seemingly irrelevant details. La Folia became such a frequent companion in my studio that it sparked “debates” in my mind. Additionally, moving into a house, where I could hear clarinet maker tuning on one side and cello practice on the other, further enriched my experience. I truly appreciated this dedicative process.
